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Tuesday, March 21st, 2023

Zoe Wilson

When The Only Cure For Motion Sickness Is To Keep Moving: A Travelog of Angels in America

The project is invested in the impact travel can have on a dramatic text and the value of archival research within production dramaturgy and critical responses to theatre. Using pre-Broadway drafts of the script of Angels in America (which Wilson gathered by traveling to archives in London, New York, San Francisco, and Los Angeles over the past two years), Wilson will summarize the key textual changes made to Kushner’s classic play over the first seven years of its production history. She also will summarize her own process crafting her departmental thesis in English Literary Studies, which will take the form of a podcast.

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Monday, March 20th, 2023

Clare Bassano

A Study of an Ancient Oil Lamp: Iconography, Glazing and a Human Connection
In 2019, late emeritus Professor James Turnure (Samuel H. Kress Professor of Art History) donated a sizable collection of ancient artifacts, including seventeen ancient oil lamps. These lamps were unstudied prior to their donation, and the overall long-term research goal of this project is to properly publish the artifacts and make their data accessible to the international archaeology community. Oil lamps were widely used in the Ancient Mediterranean world, and since they were often used by those who were not well represented in the written records we have from their time, oil lamps and other ordinary objects can shed light on the daily life on underrepresented people. One of Turnure’s donated lamps, which is the focus of this study, has two nozzles and plant imagery on its discus. This lamp was drawn, measured, photographed, and described. Such careful examination and documentation of the physical characteristics of this lamp and looking through the records of documented collections of ancient oil lamps allow for conclusions about the lamp’s creation, including estimates of the lamp’s age and region of origin. Studying the iconography on the lamp can connect it to other ancient pieces of pottery. Details like the lamp’s imperfect glazing and the marks of fingerprints left on the lamp’s walls also give the lamp a human element. This kind of connection to the people who created or used an artifact is perhaps most easily seen through once mundane, small objects like oil lamps.

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Monday, March 20th, 2023

Sophie Cooksey

Defining Feminism

Who gets to decide what is “feminist” and what is not? How would the world look if the word “feminist” wasn’t so stigmatized? Does feminism even matter? These are all questions that will be pondered in this presentation by comparing feminists of the Young Lords, a Puerto Rican activist group from the late 1960s and early 1970s to the modern conservative feminist movement, two starkly different groups in ideology and time period. In this presentation, I will examine how it is that these differences shape ideologically different definitions of feminism. I will also argue that in order to understand feminism and all of its intricacies, we must first be able to establish a definition of feminism that most people can agree with. In this comparative presentation, I will provide some history of the Young Lords, introduce the modern-day conservative feminist movement, and use these comparisons to draw up some potential answers to the longstanding and pressing question of what feminism ought to mean. Comparing women’s issues in the 1970s with women’s issues in the 2020s along with comparing the motivations of particular women from different time periods are integral components in answering these questions. In this presentation, I hope to be able to draw out a definition of feminism that is best for all women, not just women who find themselves at the intersections of privilege.

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